Oil On Canvas, Real Flavor of Old Masters

All Henry Fuseli 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
44568  
David Garrick and Hannah Pritchard as Macbeth and Lady Macbeth after the Murder of Duncan, Henry Fuseli
  		 David Garrick and Hannah Pritchard as Macbeth and Lady Macbeth after the Murder of Duncan   mk173 ca.1760-66 Watercolor heightened with white on paper 32.4x39.4cm
91206  
Die drei Eidgenossen beim Schwur auf den Rutli, Henry Fuseli
  		 Die drei Eidgenossen beim Schwur auf den Rutli   1780(1780) Medium oil on canvas Dimensions Deutsch: 267 x 178 cm cjr
71668  
Euphrosyne vor der Phantasie und der Temperantia, Henry Fuseli
  		 Euphrosyne vor der Phantasie und der Temperantia   1799-1800 Oil on canvas 243 x 153 cm
58887  
Horseman attacked by a giant snake, Henry Fuseli
  		 Horseman attacked by a giant snake   Horseman attacked by a giant snake, c. 1800.
58886  
Kriemhild and Gunther,, Henry Fuseli
  		 Kriemhild and Gunther,   Kriemhild and Gunther, 1807
25962  
Kriemhilde Sees the Dead Sikegfried in a Dream (mk45), Henry Fuseli
  		 Kriemhilde Sees the Dead Sikegfried in a Dream (mk45)   1805 Pencil and watercolor 38.5x48.5cm Zurich,Kunsthaus Zurich
1289  
Lady Macbeth, Henry Fuseli
  		 Lady Macbeth   1784
44567  
Lady Macbeth Seizing the Daggers, Henry Fuseli
  		 Lady Macbeth Seizing the Daggers   mk173 ca.1812 Oil on canvas 91.4x114.3cm
30640  
Lady Macbeth Sleepwalking, Henry Fuseli
  		 Lady Macbeth Sleepwalking   mk68 Oil on canvas Paris,Louvre c.1784 Britain
74864  
Nachtmahr, Detail, Henry Fuseli
  		 Nachtmahr, Detail   1802 Oil on canvas cjr
1290  
Nightmare s, Henry Fuseli
  		 Nightmare s   1781-82
58890  
Odysseus in front of Scylla and Charybdis,, Henry Fuseli
  		 Odysseus in front of Scylla and Charybdis,   Odysseus in front of Scylla and Charybdis, Fussli's Romance painting of Odysseus facing the choice of monsters, giving the phrase: between Scylla and Charybdis, 1794-1796
58888  
Silence, Henry Fuseli
  		 Silence   Silence, 1799-1801.
94429  
Sophia Rawlins, the artist's wife, Henry Fuseli
  		 Sophia Rawlins, the artist's wife   oil on canvas 60 x 49.5 Date 18th century cjr
58885  
The artist in conversation with Johann Jakob Bodmer, Henry Fuseli
  		 The artist in conversation with Johann Jakob Bodmer   The artist in conversation with Johann Jakob Bodmer, 1778-1781.
56147  
the nightmare, Henry Fuseli
  		 the nightmare   mk247 1781,oil on canvas,40x50 in,101x128 cm,detroit lnstitute of arts,detroit,mi,usa
58889  
The Nightmare, Henry Fuseli
  		 The Nightmare   The Nightmare, (1781)
22803  
The Nightmare (mk22), Henry Fuseli
  		 The Nightmare (mk22)   1790/91 Oil on canvas,76.5 x 63.5 cm Frankfurt am Main,Freies Deutsches Hochstift,Frankfurter Goethe-Museum
33806  
Titania and Bottom, Henry Fuseli
  		 Titania and Bottom   mk86 c.1780-17890 Oil on canvas 216x274cm London,Tate Gallery
40602  
Titania and Bottom, Henry Fuseli
  		 Titania and Bottom   mk156 1780-90 Oil on canvas 217x275cm
21929  
Titania and Bottom (mk08), Henry Fuseli
  		 Titania and Bottom (mk08)   c.1780-1790 Oil on canvas 216x274cm London,Tate Gallery
56159  
titania awakes,surrounded by attendant fairies, Henry Fuseli
  		 titania awakes,surrounded by attendant fairies   mk247 1794,oil on canvas,67x53 in,170x134.5 cm,kunsthaus,zurich,switzerland
28047  
Titania's Awakening, Henry Fuseli
  		 Titania's Awakening   1780-90 Oil on canvas 222 x 280 cm (87 1/2 x 110 3/8 in) Kunstmuseum Winterthur (mk63)
Henry Fuseli
Swiss-born British Romantic Painter, 1741-1825 Henry Fuseli was the first artist to command the epic literature and heroic history of northern Europe as well as the Mediterranean countries, and by his wide reading and close study of the Old Masters he equipped himself to extend the scope of history painting far beyond the traditional limits of the Bible and classical antiquity. In his speculative boldness he was a child of the Enlightenment, but he was also a fierce critic of sterile rationalism and preached the gospel of the imagination with religious fervor. Henry Fuseli was born Johann Heinrich F??ssli (in 1764 he Anglicized his name) in Zurich on Feb. 6, 1741, the son of a painter with strong religious convictions who destined him for the Zwinglian ministry. After a period of intensive theological study Fuseli was ordained in 1761 and preached his first sermon. He was a friend of Johann Kaspar Lavater, whose Aphorisms on Man he later translated into English from manuscript. Fuseli became the favorite disciple of Johann Jakob Bodmer, who in 1740 had published an essay on the wonderful in poetry that led to a literary war with Johann Christoph Gottsched in Germany and the formation of a revolutionary Swiss school which used English literature, especially Milton and Shakespeare, as a spearhead in promoting romanticism.



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